Venice Film Festival
The rave reviews for the new film, directed by Luca Guadagnino, are being dominated by critics’ pleasant surprise over the explicit love scenes.
The new documentary follows a wife, her cheating husband, his mistress—and the woman who is hired to end the whole ordeal and bring peace back to the marriage.
If only the new movie “King Ivory,” which just premiered at the Venice Film Festival, would latch onto one of its many, disconnected threads.
Pedro Almodóvar’s first English-language feature is a tender two-hander between two Oscar-winners at the top of their acting game, holding hands as they contemplate the end.
“Wolfs” was a Venice Film Festival disappointment. It turns out that star power is not enough when those stars are auto-piloting their way through their new movie.
The three-and-a-half hour epic about a Jewish immigrant who fled Europe in 1947 to chase the American dream is an unshakable, powerful showcase for the previous Best Actor winner.
The new film, which just premiered at the Venice Film Festival, reveals the modern origins of U.S. white supremacy—with Law’s fiery performance as an FBI agent at its center.