Modern Family Shows How to Do Product Placement Right
"Connection Lost" didn't feel like an ad for Apple—because it wasn't one. Other corporations could learn from the MacBook and iPhone-filmed episode.
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ABC TV Shows Based on Movies: Often Doomed
Titles like Big, Rush Hour, and Minority Report are in small-screen production, but they may not be the safe bets that Hollywood hopes they are.
CBS Why Sunday-Night Television Is So Good
The beginning of the week is the best time of the week for heavy, quality drama thanks to economics, viewer psychology, and the "conversation cycle."
HBO 'I'll See You Again in 25 Years': Why Showtime Is Reviving Twin Peaks
Just like all the show's other fans, the network's executives want answers.
ABC Joan Rivers: Hollywood's Greatest Comeback Story?
Once blackballed by Johnny Carson and shunned by the industry, the indefatigable comedian reclaimed her spot on the Red Carpet through pure grit.
Nick Ut/AP Why So Many TV Shows Peak in Season 3
Producers say that the novelty factor for a series often starts to wear off four seasons in.
NBC Universal The Miniseries Is Dead (Long Live the Miniseries!)
Why won't TV execs use the m-word to describe shows like True Detective and Extant?
HBO The Plight of NCIS: TV's Biggest Drama Gets No Respect
The CBS procedural receives only a fraction of the media attention paid to the shows it regularly outdraws.
Phil McCarten / Reuters Disney's Brilliant Plot to Buy All of American Pop Culture
In a business driven by sequels, adaptations, and other flavors of nostalgia, Disney is winning by sheer breadth.
20th Century Fox Corp
