Directed by
Peter Carstairs |
Writing Credits (in alphabetical order)
Peter Carstairs | ||
Ant Horn |
Cast (in credits order)
Xavier Samuel | ... | Ed | |
Clarence Ryan | ... | Paddy | |
Kieran Darcy-Smith | ... | Rick | |
Kelton Pell | ... | Michael | |
Alice McConnell | ... | Eve | |
Lisa Flanagan | ... | Leena | |
Mia Wasikowska | ... | Amelia | |
Sibylla Budd | ... | Miss Gregory | |
Anton Tennet | ... | Tom (as Anton Tennett) | |
Paul Gleeson | ... | John Hamilton | |
Tara Morice | ... | Jennifer Hamilton | |
Morgan Griffin | ... | Heidi | |
Bob Baines | ... | Henry | |
Tommy Lewis | ... | Uncle Harold (as Tom E. Lewis) | |
Steve Dodd | ... | Aboriginal Elder #2 (as Steve 'Mullawalla' Dodd) | |
Eric Bell | ... | Aboriginal Elder #3 | |
Michael Edward Williams | ... | Thomas Parker (as Michael Williams) | |
Brady Kitchingham | ... | Tom's Mate | |
Lillian Crombie | ... | Gran Parker | |
Vikki Freckelton | ... | Ticket Seller | |
Alex Rose | ... | Cinema Usher | |
Rest of cast listed alphabetically: | |||
Keiran Darcy-Smith | ... | Rick Anderson | |
Tom E Lewis | ... | Uncle Harold | |
Bridie-Ann Perry | ... | Towns Person | |
Clarence John Ryan | ... | Paddy Parker | |
Harry Stewart | ... | Wee Poor Boy |
Produced by
Sandra Alexander | ... | line producer |
Mark Bamford | ... | executive producer |
Michele Bennett | ... | consulting producer |
Tony Forrest | ... | executive producer |
Gary Hamilton | ... | executive producer |
Lynda House | ... | co-producer |
Serena Paull | ... | co-producer |
John Polson | ... | producer |
Music by
Roger Mason | ||
Roger Mason | ... | original music composer |
Roger Mason | ... | original music composer |
Cinematography by
Jules O'Loughlin | ... | director of photography |
Editing by
Martin Connor | ||
Tim Wellburn |
Casting By
Anousha Zarkesh |
Production Design by
Sam Hobbs |
Art Direction by
Sophie Nash |
Set Decoration by
Martin Williams |
Costume Design by
Cappi Ireland |
Makeup Department
Laura Kennard | ... | makeup artist |
Dakota Matich | ... | makeup artist |
Production Management
Colleen Clarke | ... | post-production supervisor |
Mick Nicholson | ... | unit manager |
Second Unit Director or Assistant Director
Matt Hart | ... | third assistant director |
Tim Lion | ... | second assistant director |
Karan Monkhouse | ... | first assistant director |
Art Department
Natalie Armstrong | ... | props |
Peter Kodicek | ... | props |
Adam Sitta | ... | art runner |
Sound Department
Rainier Davenport | ... | sound recordist |
Bruce Emery | ... | dolby consultant |
Glenn Finnan | ... | boom operator |
Greg P. Fitzgerald | ... | re-recording mixer (as Greg Fitzgerald) |
Jason Hancock | ... | foley recordist |
Martin Oswin | ... | adr mixer |
Wayne Pashley | ... | re-recording mixer / sound designer / supervising sound editor |
Derryn Pasquill | ... | dialogue editor |
Fabian Sanjurjo | ... | sound effects editor |
John Simpson | ... | foley artist |
Libby Villa | ... | dialogue editor |
Visual Effects by
Justin Alvarez | ... | lead compositor: FSM |
Nick Booth | ... | film recording supervisor: weta digital |
Steve Dunn | ... | visual effects producer |
Stephen Roucher | ... | film recording technician: weta digital |
Phil Stuart-Jones | ... | visual effects supervisor |
Pete Williams | ... | film recording manager: weta digital |
Stunts
Nash Edgerton | ... | stunts |
Tony Lynch | ... | stunt coordinator |
Brett Sheerin | ... | stunts |
Gordon Waddell | ... | safety consultant |
Camera and Electrical Department
Peter Bushby | ... | gaffer |
Simon Cardwell | ... | still photographer |
James Ford | ... | best boy |
Craig Jackson | ... | grip |
Joshua Kwan | ... | best boy |
David Litchfield | ... | key grip |
Morag Mirankar | ... | clapper loader |
Richard Narramore | ... | Steadicam operator |
Jules O'Loughlin | ... | camera operator |
Miranda Porter | ... | focus puller |
Mark Rogers | ... | still photographer |
Christopher Turner | ... | lighting assistant (as Chris Turner) |
Cheryl Wood | ... | assistant camera |
Casting Department
Dex Tallo | ... | extras casting |
Anousha Zarkesh | ... | casting |
Costume and Wardrobe Department
Felice Mercorella | ... | costume stand-by |
Geri Spencer | ... | costume assistant |
Chrissie Wright | ... | costume supervisor |
Editorial Department
Bec Cubitt | ... | post-production coordinator |
Steve Dunn | ... | digital intermediate producer |
Al Hansen | ... | supervising digital intermediate colorist |
Tristan La Fontaine | ... | digital cinema colorist |
Derryn Pasquill | ... | dialogue editor |
Alejandro Reyes Anzola | ... | assistant editor |
Location Management
Carl Wood | ... | location manager |
Music Department
Coralie Hartl | ... | music contractor |
Phillip Hartl | ... | orchestra leader |
James K. Lee | ... | orchestrator |
Jessica Wells | ... | orchestrator |
Script and Continuity Department
Amy Barclay | ... | script supervisor |
Additional Crew
Alex Baldwin | ... | production runner |
Emren Kara | ... | production lawyer |
Rebecca Lewis | ... | production secretary |
Natalie Reilly | ... | assistant to producers |
Eva Stolcs | ... | production coordinator |
Cherie Vierucci Whyte | ... | accountant (as Cherie Whyte) |
Thanks
Sally Chesher | ... | thanks |
Nash Edgerton | ... | the producers wish to thank the following for their assistance |
Mark Lazarus | ... | the producers wish to thank the following for their assistance |
Tony McNamara | ... | the producers wish to thank the following for their assistance |
Cecilia Ritchie | ... | the producers wish to thank the following for their assistance |
Fiona Seres | ... | the producers wish to thank the following for their assistance |