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- Actress
- Writer
- Soundtrack
Diana Dors was born Diana Mary Fluck on October 23, 1931 in Swindon, Wiltshire, England. She and her mother both nearly died from the traumatic birth. Because of the trauma, her mother lavished on Diana anything and everything she wanted--clothes, toys and dance lessons were the order of the day. Diana's love of films began when her mother took her to the local movies theaters. The actresses on the screen caught Diana's attention and she said, herself, that from the age of three she wanted to be an actress. She was educated in the finest private schools, much to the chagrin of her father (apparently he thought private education was a waste of money). Physically, Diana grew up fast. At age 12, she looked and acted much older than what she was. Much of this was due to the actresses she studied on the silver screen and Diana trying to emulate them. She wanted nothing more than to go to the United States and Hollywood to have a chance to make her place in film history. After placing well in a local beauty contest, Diana was offered a role in a thespian group (she was 13).
The following year, Diana enrolled at the London Academy of Music and Dramatic Art (LAMDA) to hone her acting skills. She was the youngest in her class. Her first fling at the camera was in The Shop at Sly Corner (1947). She did not care that it was a small, uncredited role; she was on film and at age 16, that's all that mattered. That was quickly followed by Dancing with Crime (1947), which consisted of nothing more than a walk-on role. Up until this time, Diana had pretended to be 17 years old (if producers had known her true age, they probably would not have let her test for the role). However, since she looked and acted older, this was no problem. Diana's future dawned bright in 1948, and she appeared in no less than six films. Some were uncredited, but some had some meat to the roles. The best of the lot was the role of Charlotte in the classic Oliver Twist (1948). Throughout the 1950s, she appeared in more films and became more popular in Britain. Diana was a pleasant version of Marilyn Monroe, who had taken the United States by storm. Britain now had its own version.
Diana continued to play sexy sirens and kept seats in British theaters filled. She really came into her own as an actress. She was more than a woman who exuded her sexy side, she was a very fine actress as her films showed. As the 1960s turned into the 1970s, she began to play more mature roles with an effectiveness that was hard to match. Films such as Craze (1974), Swedish Wildcats (1972), The Amorous Milkman (1975) and Three for All (1975) helped fill out her resume. After filming Steaming (1985), Diana was diagnosed with cancer, which was too much for her to overcome. The British were saddened when word came of her death at age 52 on May 4, 1984 in Windsor, Berkshire, England.- Actor
- Soundtrack
Richard Beckinsale was an English actor, primarily known for his roles in sitcoms. His best known characters were prison inmate Leonard Arthur "Lennie" Godber in "Porridge" (1974-1977) and its sequel series "Going Straight" (1978), and medical student Alan Moore in "Rising Damp" (1974-1978).
Beckinsale was born in the suburban town of Carlton, Nottinghamshire, which is part of the Borough of Gedling. His father Arthur John Beckinsale was Anglo-Burmese, while his mother Maggie Barlow was English. Beckinsale claimed to be a distant cousin of actor Charles Laughton (1899-1962).
Beckinsale attended College House Junior School in Chilwell, and performed in many school plays. His first notable role was that of Dopey the Dwarf in a school play adaptation of "Snow White and the Seven Dwarfs". He also appeared in school plays while attending Alderman White Secondary Modern School. In 1962, he decided to drop out of school and pursue a career as a professional actor. At age 15, Beckinsale was too young to attend drama school. He financially supported himself through a series of odd jobs.
In 1963, Beckinsale was enrolled at Nottingham College, Clarendon, pursuing a drama teacher's training programme. In 1965, Beckinsale applied for training the Royal Academy of Dramatic Art (RADA). He was accepted there with his second audition, one of only 31 applicants accepted. During his training, Beckinsale accepted a comedy award. He graduated in 1968.
Following his graduation, Beckinsale started appearing in repertory theatre. He toured the United Kingdom with such roles as the Scarecrow in "The Wizard of Oz", Sir Andrew Aguecheek in "Twelfth Night", and the title role in Shakespeare's Hamlet. He made his television debut in 1969, playing a one-shot police officer character in the soap opera "Coronation Street". He next gained a minor role in the drama series "A Family at War" (1970-1972).
His first major television role was that of leading Geoffrey Scrimshaw in the sitcom "The Lovers" (1970-1971). The premise was having a mismatched couple, with a romantic girl paired with a sex-obsessed boyfriend. It was a minor ratings hit and brought some much-needed fame to Beckinsale.
Beckinsale's career reached new heights with the hit sitcoms "Porridge" and "Rising Damp". He also appeared in the sequel series "Going Straight", with the humorous concept of former prison inmates trying to rebuild their lives and seeking honest jobs. His final major role was as the leading actor in the sitcom "Bloomers", but only five episodes were completed before his death.
In December, 1978, while filming episodes for "Bloomers", Beckinsale suffered from dizzy spells. He was worried about his health and sought medical help, but his doctor reassured him that his only health problems were "an overactive stomach lining, and slightly high cholesterol". He subsequently had further signs of ill health, but he attributed them to his nerves.
By 18 March, 1979, Beckinsale was suffering from pain in his chest and arms, but decided against seeking further help. He went to bed, and was found dead the next morning. He had died during the night due to a heart attack. At the time of his death, his wife Judy Loe was recovering in hospital after having an operation. A post-mortem examination revealed that his recent health problems were the results of undiagnosed coronary artery disease. He was only 31 at the time of his death.
Beckinsale was cremated in Bracknell, Berkshire, and his remains were taken to Mortlake Crematorium. A memorial service for him was attended by 300 people, a testament to his popularity. In his will, he left about 65,000 pounds for his wife and daughters. Only 18,000 pounds were left after taxes.- Actor
- Soundtrack
George Cole OBE was a veteran British film, television and stage actor whose impressive career spanned over 60 years. For many, he will perhaps be best remembered for playing one of the most endearing characters of recent times on British television, "Arthur Daley", the shifty but very likable "business man" in the hit ITV drama series, Minder (1979).
However, Cole had long been a household name well before "Minder" aired on television. His successful film career began in the 1940s, appearing with Alastair Sim and Sir John Mills in the film Bombsight Stolen (1941). Further success came throughout the 1950s and 1960s, where he played the part of "Flash Harry" in the popular "St Trinians" films, alongside his close friend and mentor, Alastair Sim. By 1963, Hollywood had recognized the talents of Cole and he was cast in the iconic film, Cleopatra (1963), starring Elizabeth Taylor, Richard Burton and Rex Harrison. During the 1970s, George continued to star in films and television programmes, becoming a regular and sought after actor. It is interesting to note that, in 1971, he appeared with Dennis Waterman (who would later become his Minder (1979) co-star) in the horror film, Fright (1971). In 1979, Cole was cast as the hapless "Arthur Daley", a self-professed entrepreneur in the ITV drama Minder (1979), a role he played until 1994. The role showcased Cole's acting prowess and brought him to the attention of a younger audience.
As well as starring in Minder (1979), George continued with other projects in film and television, including Root Into Europe (1992), An Independent Man (1995), Mary Reilly (1996), Dad (1997), Station Jim (2001), Bodily Harm (2002) and, alongside his good friend Dennis Waterman, in the BBC hit drama, New Tricks (2003). He also starred in several stage productions. It is hoped that Cole will not be be remembered simply for portraying "Arthur Daley", but instead for being one of Britain's most enduring actors, one of only a handful of actors who can claim to have had a 60-year career and for being an extremely likable, charismatic man.- Actor
- Writer
- Director
Bushy-browed, triple-chinned and plummy-voiced English actor and raconteur of wide girth and larger-than-life personality. The son of a career army officer, Morley was expected to join the diplomatic corps. As a 'compromise', he tried his hand as a beer salesman. However, bitten by the acting bug since first performing in a kindergarten play, he prevailed over the wishes of his parents and enrolled at RADA. He made his theatrical debut at London's Strand Theatre, in a 1929 production of "Treasure Island", playing the part of a pirate for $5 a week. During the next few years, Morley honed his craft by touring regional theatres, writing or co-writing the occasional play, and, when money was hard to come by, selling vacuum cleaners. For a while, he managed his own repertory company in tandem with fellow actor Peter Bull in the Cornish seaside resort of Perranporth. Morley eventually returned to the London stage in a much acclaimed performance as "Oscar Wilde", a role he took to Broadway in October 1938.
On the strength of this, he was invited to Hollywood and garnered an Oscar nomination for his first screen role as the effete, simple-minded monarch Louis XVI, in MGM's lavish production of Marie Antoinette (1938). Back in Britain, he then played the armaments millionaire Andrew Undershaft in George Bernard Shaw's Major Barbara (1941), a performance praised by Bosley Crowther as "deliciously satanic, profoundly suave and tender" (NY Times, May 15 1941). Happily managing to avoid military participation in the Second World War, Morley spent the remainder of the decade acting in such prestigious theatrical showpieces as "The Man Who Came to Dinner", and as star and co-author of "Edward, My Son". His defining performance in the play led the critic Brooks Atkinson to comment on his "studied authority ... which might sound like an affectation in an actor of inferior style"(NY Times, June 4 1992).
Morley acted on screen in a variety of very British, sometimes eccentric, sometimes giddy, often pompous, but rarely dislikeable characters. At his best, he was the expatriate Elmer Almayer, at once pitiable and overbearing, in Outcast of the Islands (1951); the Sydney Greenstreet parody Peterson in John Huston's Beat the Devil (1953); as another languid monarch, George III in the colourful period drama Beau Brummell (1954); as Oscar Wilde (1960), recreating his original stage triumph; and as a food critic in the hugely enjoyable Who Is Killing the Great Chefs of Europe? (1978). He also performed occasionally in TV movies and miniseries. His wit was much appreciated on chat shows, both in Britain and the U.S., where was a frequent and popular guest. He was also the voice of British Airways in commercials of the 70's and early 80's, promising "we'll take good care of you" -- something he did with his acting for over half a century. Robert Morley was awarded a CBE in 1957. He died as the result of a stroke in Reading, Berkshire, at the age of 84.- Joan Rice was born on 3 February 1930 in Derby, Derbyshire, England, UK. She was an actress, known for The Story of Robin Hood and His Merrie Men (1952), His Majesty O'Keefe (1954) and I Promised to Pay (1961). She was married to Ken McKenzie and David Green. She died on 1 January 1997 in Maidenhead, Berkshire, England, UK.
- Actor
- Soundtrack
Anton Rodgers was born on 10 January 1933 in Ealing, London, England, UK. He was an actor, known for Dirty Rotten Scoundrels (1988), The Merchant of Venice (2004) and The Fourth Protocol (1987). He was married to Elizabeth Garvie and Morna Watson. He died on 1 December 2007 in Reading, Berkshire, England, UK.- Stunts
- Actor
- Additional Crew
Eddie Powell was born on 9 March 1927 in London, England, UK. He was an actor, known for Aliens (1986), Legend (1985) and Robin Hood: Prince of Thieves (1991). He was married to Rosemary Burrows. He died on 11 August 2000 in Berkshire, England, UK.- Actor
- Additional Crew
Michael Angelis was born on 29 April 1944 in Paddington, London, England, UK. He was an actor, known for World's End (1981), Melissa (1997) and September Song (1993). He was married to Jennifar Khalastchi and Helen Worth. He died on 30 May 2020 in Thatcham, Berkshire, England, UK.- Alan Lake was born on 24 November 1940 in Stoke-on-Trent, Staffordshire, England, UK. He was an actor, known for Department S (1969), The Growing Summer (1968) and Freelance (1970). He was married to Diana Dors. He died on 10 October 1984 in Sunningdale, Berkshire, England, UK.
- Tom Adams was born on 9 March 1938 in Poplar, London, England, UK. He was an actor, known for The Great Escape (1963), The 2nd Best Secret Agent in the Whole Wide World (1965) and Fathom (1967). He died on 11 December 2014 in Slough, Berkshire, England, UK.
- Actor
- Writer
- Director
Robin Hardy was born on 2 October 1929 in Wimbledon, London, England, UK. He was an actor and writer, known for The Wicker Man (1973), Forbidden Sun (1988) and The Fantasist (1986). He was married to Victoria. He died on 1 July 2016 in Reading, Berkshire, England, UK.- Writer
- Actress
- Sound Department
Sylvia Anderson is the co-creator of a string of hit TV shows through the late 1950s, 1960s and 70s. Her most memorable contribution as an actress is the voice of Lady Penelope from Thunderbirds - one of many series she co-created with former husband Gerry Anderson. Sylvia's talents are evident in the characterization throughout their various series. She was against Martin Landau and Barbara Bain being cast in Space: 1999 (1975) but was overruled by ITC chief Lew Grade.
The forgotten heroine of Britain's famous TV shows, she's had to watch former husband Gerry take most of the limelight over the years. A fascinating woman with overwhelming talent, she now represents the American network HBO in Pinewood Studios in London, England.- Producer
- Second Unit Director or Assistant Director
- Director
Jack Clayton was born on 1 March 1921 in Brighton, East Sussex, England, UK. He was a producer and assistant director, known for The Innocents (1961), Our Mother's House (1967) and Screen Two (1984). He was married to Haya Harareet, Katherine Kath and Christine Norden. He died on 26 February 1995 in Slough, Berkshire, England, UK.- Actor
- Writer
- Editorial Department
Tim Brooke-Taylor was born on 17 July 1940 in Buxton, Derbyshire, England, UK. He was an actor and writer, known for The Goodies (1970), At Last the 1948 Show (1967) and Engelbert with the Young Generation (1972). He was married to Christine Wheadon. He died on 12 April 2020 in Cookham, Berkshire, England, UK.- Producer
- Actor
- Director
Michael Parkinson was educated at Barnsley Grammar School. He left at the age of 16 and his ambition of becoming a professional cricketer was dashed when he was rejected by Yorkshire County Cricket Club. He turned to journalism, worked on several local newspapers in Yorkshire before joining the Manchester Guardian. Michael covered all sorts, from chip pan fires in Oldham to political conferences. He joined the Observer to write about sport and became a columnist with The Sunday Times.
His first work in television was as a current affairs producer at Granada Television. He joined the BBC as a reporter for "24 Hours". In 1969 he became the presenter of Granada's Cinema series. In 1971 he presented Thames Television's regular afternoon show, Teabreak. The BBC decided to give the still relatively young broadcaster his own evening chat show, "Parkinson", the same year. With his working class accent, Michael Parkinson was a breath of fresh air and over the next 11 years he interviewed many of the leading celebrities of the time.
The programme established him as one of the best known faces on television, and his fame resulted in his writing for the first edition of the British Cosmopolitan Magazine and his appearance with Jon Pertwee on the front of the Radio Times. His relaxed chat show was axed in 1982. Parkinson moved to ITV and became part of the Famous Five that launched TV AM. In 1998 the BBC resurrected "Parkinson" and the ageing presenter found himself back on prime-time. He presents his own show on BBC Radio 2, during which he plays much of his beloved jazz music. He maintains notoriety for his outspoken comments about other television personalities, the Government and the state of British sport. Michael currently claims he will retire before he's 70 and set about writing the book of his life.- Actor
- Soundtrack
Ronald Allen was born on 16 December 1930 in Reading, Berkshire, England, UK. He was an actor, known for A Night to Remember (1958), The Projected Man (1966) and Doctor Who (1963). He was married to Sue Lloyd. He died on 18 June 1991 in Reading, Berkshire, England, UK.- Actress
- Soundtrack
Lana Morris always appeared to be more confident and mature than the other post war British starlets. However, the big roles always escaped her and she appeared as a supporting actress in many British films of the 1950s. She later re-started her career, appearing as a professional panellist on many of the TV shows of the 1960s.- Additional Crew
- Actor
Prince Phillip was born on 10 June 1921 as a Prince of Greece and Denmark. His family was deposed and he lived in France and finally went to boarding school in Gordonstoun in Scotland. Eventually he sent his boys there. When he was 18 he met 13 year old Princess (later Queen) Elizabeth, his third cousin from their descent from Queen Victoria, his second cousin once removed from their descent from King Christian IX of Denmark and fourth cousin once removed from their descent from King George III. They fell in love, but her father King George VI did not want them to get married right away. Before they became engaged he renounced his hereditary royal title and adopted the surname of his uncle Louis Mountbatten. They were engaged in 1947 and married on November 20th of that year. Before they married he was created His Royal Highness the Duke of Edinburgh, but was not given the title of Prince until 1957.
Almost a year after their wedding they had their first child, a boy, Charles Phillip Arthur George. In 1950 they had a daughter, Anne. They were followed by Andrew and Edward. After the death of his father in law in 1952 his wife became Queen Elizabeth II and he had to give up the Navy to help her being that he was now a royal consort. He has been active with services and takes on a lot of public engagements for his wife.
In the late 1970s he became a grandfather when his daughter Anne had two children, a boy called Peter and a girl named Zara. His eldest son Charles had a son William in 1982 and second son Henry in 1984. His second son Andrew had a daughter Beatrice in 1989 and second daughter Eugenie in 1991. His third son Edward was created the Earl Wessex just before his marriage to Sophie Rhys-Jones; they have two children, Lady Louise Windsor and James Mountbatten-Windsor (Viscount Severn).- Actor
- Music Department
- Writer
Rolf Harris came to London in 1952 to study Art. A year later he was appearing on TV as an artist and storyteller and had his first hit as a singer in the early sixties with Tie Me Kangaroo Down Sport. After a relatively quiet period in his life in the late seventies, his brother Bruce Harris became his manager and reinvented him. Harris is perhaps best known for his 1969 hit song Two Little Boys. His hero is Val Doonican. Harris enjoys taking photos, and dislikes unnecessary bad manners and inconsiderate behaviour.
In 2014, Harris was jailed for five years and nine months following his conviction for historic sexual abuse against four girls dating back to the 1960s, 1970s and 1980s. His crimes came to light following the death and subsequent sordid revelations of prolific sexual abuse by broadcaster, DJ and charity fundraiser Sir Jimmy Savile, which in turn led to the establishment of Operation Yewtree, a police investigation into historic sexual abuse by celebrities. Harris was arrested and charged by Operation Yewtree officers, although his crimes were not directly connected to Savile, and convicted by a unanimous verdict of the jury.- Actor
- Writer
- Script and Continuity Department
Jim Bouton was born on 8 March 1939 in Newark, New Jersey, USA. He was an actor and writer, known for The Long Goodbye (1973), How Do You Know (2010) and Ball Four (1976). He was married to Paula Kurman and Bobbie Bouton-Goldberg. He died on 10 July 2019 in Berkshires, Massachusetts, USA.- Alwen Hughes was born on 26 December 1931 in Edmonton, Middlesex, England, UK. She was married to Rolf Harris. She died on 12 September 2024 in Bray, Berkshire, England, UK.
- Robert Russell was born on 24 May 1936 in Kent, England, UK. He was an actor, known for Sitting Target (1972), Witchfinder General (1968) and Blake's 7 (1978). He died on 12 May 2008 in Maidenhead, Berkshire, England, UK.
- Music Department
- Composer
- Soundtrack
Ron Goodwin was born on 17th February 1925 in Plymouth. He was the son of a London policeman who was detached to the harbour-town. His mother felt that piano lessons would be a good pastime, so in his fifth year, the little Ron was hoisted onto a piano-stool and his education on this instrument began. Ron himself was at that time not really convinced about that parental ambition.
In 1934 his father's detachment ended and the family moved back to London. Ron went for his elementary education to the Willesden County Grammar school, situated in the North-West of London. In the school an orchestra was set-up and Ron got slowly attracted by music. It fascinated him, that all these young people were playing different instruments but that the result was very harmonious.
When he was 11, he went to his teacher and asked for a place in the orchestra. His teacher replied: "We don't have enough trumpet players. Learn how to play the trumpet and we'll see". That's what they call "Hobson's Choice". And so he learned to play the trumpet. Ready after just a few lessons, Ron joined the school orchestra. He kept continuing with his trumpet lessons because he felt that there was more prosperity in a career as a trumpet player than as a pianist. Moreover he had more fun in playing the trumpet. Nevertheless he also continued his piano lessons. The piano has always been a very useful instrument for him, when writing music. But frankly, he never became a virtuoso pianist. He was a much better trumpet player.
The end of the '30s was the era of swing with the great big bands of Glen Miller, Artie Shaw, Tommy Dorsey and Woody Herman. In 1939, at the age of just 14, he formed his own dance band called "The Woodchoppers". Very soon the orchestra got some engagements here and there. The signature tune for their performances was "At the Woodchoppers Ball", a swinging Woody Herman composition. That explains the name "The Woodchoppers". The band was very soon semi-professional and very regularly entered competitions for dance bands.
After he had studied harmony and counterpoint, he left school in 1942. In deference to his mother's doubts about the security status and prospects of music as a career, he took a job as junior clerk in an insurance office. He held the job for three months. After repeatedly catching him fixing gigs for "The Woodchoppers" over the office 'phone, Ron's boss advised him to forget insurance and take his chances in music. He still thinks that this is the best advice ever given to him.
He started as a copyist for the music publisher Campbell Connelly. There he got the opportunity to work with and learn from Harry G. Stafford. This was an elderly thoroughly experienced arranger, who had arranged the music of Hubert Bath for Hitchcock's first English sound film Blackmail (1929) in 1929. Stafford taught him all the methods for producing arrangements and how to lay out a score. In that period he also studied a private course on how to conduct an orchestra with Siegfried de Chabot, a teacher at the Royal Music College.
After a few months working for Campbell Connelly, he applied for a job as an arranger for Norrie Paramor and Harry Gold. They were joint-proprietors of "The Paramor-Gold Orchestral Services" and they also had a jazz orchestra called "The Pieces of Eight". He was hired, although he thinks that it was not only because of his skills as an arranger. In that jazz orchestra there used to be an excellent trumpet player called Cyril Ellis. He was drafted for the Navy and so Paramor and Gold lacked a musician. Goodwin, being a trumpet player, replaced Cyril in the orchestra and was also the arranger of the "Paramor-Gold Orchestral Services".
As an arranger he was particularly working for a BBC program called "Composers Cavalcade". Every week a different well-known composer of light music, like Albert Ketelby, Noël Coward or Ivor Novello was chosen. Goodwin provided all the arrangements for these weekly broadcasts and he got a lot of experience through it. In the meantime his band, "The Woodchoppers", won several Dance Band competitions and in 1945 came fifth in the All Britain Dance Band Championship.
After the contract with Norrie Paramor ended, he started working for the music-publisher Edward Kassner. Here he arranged the music for various types of orchestras. One day a pub or dance orchestra, the other day for BBC radio orchestras. In the meantime he also did the orchestrations for well-know orchestra leaders like Stanley Black, Ted Heath, Geraldo, Peter Yorke and Ambrose.
In 1949 he started working for Polygon. In those days the record market was dominated by two giants: Decca and EMI. Polygon was the brainchild of Alan Freeman (not to be confused with the D.J. of the same name). He also continued working or the Kassner Music Company as a manager/publisher and he was determined to fulfil his greatest wish - making records. He already had some contacts in Australia who wanted pop records and he decided to have these sung by Petula Clark. Petula was born on 15 November 1932 as Sally Clark. From her seventh year she had been singing regularly and had become a popular child-star through her radio performances during World War II. In 1944, when she was 11, she signed a film contract for the Rank Organisation. Despite her popularity neither Decca nor EMI were willing to give her a contract. Alan Freeman approached Leslie Clark, Petula's father who was also her manager. Leslie Clark took up the opportunity, invested also some money and Polygon was born.
At the end of 1949 the first recording session took place. That day four titles were recorded: "You go to My Head", "Out of a Clear Blue Sky", "Music! Music! Music!" ("Put Another Nickel in...") and "Blossoms on the Bough", featuring Petula Clark and the Stargazers with accompaniment conducted by Ron Goodwin. He was then just 24 years old. The 2 records were released in Australia and became a big success there. In 1950 "Too Young" was recorded, a cover version of Nat King Cole's USA no. 1 hit, sung by the then completely unknown singer/pianist, Jimmy Young, with accompaniment conducted by Ron Goodwin. The record became a big hit and gave a huge impulse to the careers of both Jimmy Young and Ron Goodwin. After that, Ron also recorded his first two instrumental records.
Polygon was not able to handle the enormous success of Jimmy Young and by the end of 1952 he moved to Decca. Ron Goodwin already had his contract with Parlophone, but on the Decca label he conducted fifteen Jimmy Young records. Ron Goodwin was still very young and the producer Dickie Rowe called him Ronnie Goodwin on the first of those Decca records. It did not go so well with Polygon after that. The company was not able to make up for the loss of Jimmy Young. Petula proved to be their only continuing asset and in 1955 Polygon was amalgamated with (Pye) Nixa.
In the slipstream of the success of "Too Young" Ron Goodwin was from then on an established name in the British musical world, performing under the name: "Ron Goodwin and his Orchestra" or depending on the mood of the person in charge of the marketing: "Ron Goodwin and his Concert Orchestra". The orchestra he formed consisted at first of 36 persons but later it grew to 42. All of them were session musicians personally selected by him. These musicians worked for him only during the record sessions. A day later they could be working for, for instance, Mantovani or Geraldo. Indeed, the Mantovani orchestra was also comprised entirely of session musicians.
In 1951 Ron Goodwin met George Martin, who was at that time a young assistant recording manager at Parlophone. George offered him a contract of backings for 12 vocal singles and 6 singles with his own orchestra every year. His first instrumental record on Parlophone was released in 1953. In that same year he recorded his version of Charles Chaplin's "Limelight" and reached third place in the English hit parade with it.
In the following years he made numerous records with his orchestra and did the vocal backings of, amongst others: Eamonn Andrews, Joan Baxter, Christine Campbell, Petula Clark, Jim Dale, Bruce Forsyth, Nadia Gray, The Headliners, Edmund Hockridge, Dick James, Cynthia Lanagan, Zack Laurence, Lorne Lesley, Larry Marschall, Glen Mason, Spike Milligan, Morecambe & Wise, Parlophone Pops Orchestra, Rostal & Schaefer, Edna Savage, Peter Sellers, Joan Small, Ian Wallace, Alma Warren and Jimmy Young.
Nowadays, many of those names are not familiar any more to us, but in those days you could find them regularly in the hit parades. Jim Dale started as a rock-singer, but became later a comedian and a member of the cast of the "Carry on..." films. Dick James started his own publishing company and became later the publisher of all the Beatles hits. And Edmund Hockridge? He still has his own fan club.
In 1954 Ron Goodwin recorded his first album in his own right: "Film Favourites". After that followed many more LPs, also 2 oriental: "Music for an Arabian Night" and "Holiday in Beirut". Long before he recorded "Sergeant Pepper ....." with The Beatles, George Martin was the producer of many concept-albums. A perfect example is the Goodwin album "Out of this World". On this LP the galaxy is traversed in an orchestral way (without the use of synthesisers!). Released in 1958, a few months after the first satellite "Sputnik" was put into orbit. Photos of launched rockets were not available yet, so the rocket on the front cover is a drawn one.
In 1958 the skiffle-rhythm was a rage and Goodwin wrote "Skiffling Strings". The song entered the hit parade and the American label "Capitol" was interested to release it in the USA. But the Americans were wondering what "Skiffling" really meant. In America the skiffle-rage was completely unknown. So, the song was re-titled "Swingin' Sweethearts". Ron Goodwin and George Martin went to the States to promote the single in several television-broadcasts. Within 14 days the song entered the American hit parades and was later followed by "Lingering Lovers". Quite a number of his albums were released after that in the USA. In that year he received the Ivor Novello Award" for "Lingering Lovers" as the year's best English song.
Peter Sellers was already a well-known actor in Britain, especially because of his performances in the BBC broadcasting series "The Goon Show". In 1958, 1959 and 1960 he recorded three LPs. These albums are still considered as the standard for British comedy. The production of those albums was again in the hands of George Martin. Ron Goodwin did all the conducting of the accompanying music. The third album in the series was called: "Peter and Sophia". In 1960, Peter Sellers and Sophia Loren had just finished the shooting of the film The Millionairess (1960). In this film Sellers played an Indian doctor, who was waylaid by an enamoured Sophia Loren. The co-operation of both led to this album, on which they both did the song "Goodness Gracious Me!". The song became a massive hit and remained in the top 5 for weeks. For the recording of the album Sophia Loren was flown to London with her husband Carlo Ponti, where he met Ron Goodwin. In 1965 they renewed their acquaintance when Carlo Ponti produced the film Operation Crossbow (1965) and Ron Goodwin wrote the music.
Back in 1955, Ron Goodwin was involved for the first time in composing film music. Malcolm Arnold (of "Bridge on the River Kwai" fame) had written the score for the film The Night My Number Came Up (1955). The producer wanted several sequences with dance music in night club style. Arnold refused to write this music and so Ron Goodwin was asked to write these sequences. In the following years he wrote the music for several documentaries. 1956: "The Corrington Achievement" and in 1957 "Atlantic Line". They appear to be the exercises for the larger jobs.
In 1958 he met Lawrence P. Bachmann, at that time manager for Columbia Pictures in London. Bachmann had written a book and this was going to be filmed with the title Whirlpool (1959). He commissioned Ron Goodwin to write the music for this film. That was Goodwin's first contact with a feature film. A year later Bachmann became head of production of MGM-Europe. He liked the music Goodwin wrote for his film "Whirlpool" very much and he asked him to write the music for 4 or 5 films every year. The first of those was Village of the Damned (1960), still one of the best British science fiction films. This was followed by the very successful Miss Marple film-series featuring Margaret Rutherford.
Because he was so busy writing film music, there was no more time left for vocal backings and his contract as musical-director for Parlophone was not prolonged. For the time being, the last album he recorded was "Serenade", which contained his well-known version of "Elizabethan Serenade".
Films he scored in the early sixties included: Invasion Quartet (1961), Postman's Knock (1962) (with a hilarious vocal from Spike Milligan), The Day of the Triffids (1963), Kill or Cure (1962), Follow the Boys (1963) (featuring Connie Francis) and Sword of Lancelot (1963). These were followed in 1964 by the United Artists/Mirisch Corporation film 633 Squadron (1964). This score established Ron Goodwin on the international stage as a composer of film music. The main theme became one of his most well-known and for the past several years has been used as a sort of signature tune at the start of the Rotterdam Marathon to accompany and encourage the athletes. After that film there followed even more film scores of which the most well-known are: Of Human Bondage (1964), Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 Hours 11 Minutes (1965), Operation Crossbow (1965), The Trap (1966) (the theme from which was adopted by the BBC for their coverage of The London Marathon), Where Eagles Dare (1968), Those Daring Young Men in Their Jaunty Jalopies (1969), Battle of Britain (1969), Frenzy (1972) - when he replaced a score by Henry Mancini - and Force 10 from Navarone (1978).
In 1969, a very awkward situation existed with Battle of Britain (1969). Originally Sir William Walton wrote the music for this film. The producers were not really satisfied with the music and they gave the assignment to Goodwin. Sir William Walton is a kind of an institution and there was a lot of commotion about it. But Ron Goodwin was not to blame that he was signed to do the score. That Goodwin's score was apparently better, is simply proved by the fact that it was accepted by the producers. Apart, that is, from the fact that they liked Walton's "Battle in the Air" sequence more than Goodwin's and this is used in the film. These things can happen if one can choose. And so, nobody was happy with the situation, not Walton and not Goodwin.
In "Battle of Britain" it was very important that the audience could constantly identify the combatants. Ron Goodwin therefore wrote a march for the German Luftwaffe which he called, yes indeed, "Luftwaffe March". A few years later, one of the Bands of the Royal Airforce was going to record an album with marches, including "Luftwaffe March". A march with that name, recorded by an RAF Band already existed, therefore the march was re-titled "Aces High". The first editions of the soundtrack album mention the title "Luftwaffe march". On the later re-issues the new title "Aces High" was used.
In 1966 he resumed recording again for EMI, of both his own compositions and those of others. Now in the famous "Studio 2" stereo series, first came "Adventure", followed by "Gypsy Fire", "Christmas Wonderland", "Legend of the Glass Mountain", "Excitement", "Spellbound" and many others. By 1975, over a million of these albums with "Ron Goodwin and his (Concert) orchestra" had been sold and he received a gold record from EMI.
In 1979 Goodwin recorded "The Beatles Concerto". For collectors of Beatles and related records this is a very interesting LP. It was not the umpteenth album with a medley of tunes by Lennon-McCartney-Harrison, but contains a number of Beatle songs, arranged in a classical form and performed by England's most talented concert-pianists: Peter Rostal and Paul Schaefer. These were accompanied by the Royal Philharmonic Orchestra. The record was produced by Beatles producer George Martin. Anyone who loves the great piano concertos of Rachmaninov or Tchaikovsky will be impressed by "The Beatles Concerto". The sleeve with a fantastic full-colour inner sleeve with photos of the recording sessions is a gem. There were over 100,000 copies of the album sold. And still is there a demand for it.
The last film he scored, was the Danish animated feature Valhalla (1986). The soundtrack album was only released in Scandinavia and that is really a pity. The released soundtracks of Goodwin's animation-scores were more or less fairytale records for children: narration with background music and songs. But that is not the case with "Valhalla". This is a fantastic symphonic score, without the many songs which seems to be obligatory in all animation films. This music would perfectly fit a live-motion film, it is full of fresh and new elements. Maybe this is also a result of synergy, because he wrote this score in collaboration with the Dane, Bent Hesselmann.
In 1979 the City Fathers of his native town Plymouth invited him to compose a Suite for the commemoration of the 400th Anniversary of Sir Francis Drake's circumnavigation of the Globe. The vicinity of the Atlantic and the atmosphere of a harbour-town in his childhood years, probably had their influence on this Suite.
The influence of his lengthy stay in hit parade environments and his accompaniments of various pop artistes are audible in several scores. For instance That Riviera Touch (1966) and Kill or Cure (1962) are really swinging numbers. A problem for Goodwin was that his best scores were made in a period when film producers were not particularly interested in releasing a soundtrack, so many of them failed to get a release.
In 1970 Ron Goodwin was invited by the London Royal Philharmonic Orchestra to conduct a programme of his film music. To ease the tension between items, he improvised and told the audience some remarks and anecdotes about the performed pieces. They started to laugh. It turned out to be the turning point in his career. The idea was born to bring in concert a mixture of film and light music and the items melt together with a touch of humour. Within a few months a tour was organized and he toured constantly with different well-known Symphony orchestras all over the world, always playing to a full house. The orchestras he toured with included: The Bournemouth Symphony Orchestra, The Odense Symphony Orchestra, The New Zealand Symphony Orchestra, The Denver Symphony Orchestra and The Detroit Symphony Orchestra.
Ron Goodwin has scored approximately 70 films, there are between 70 and 80 albums released of his music and he recorded and accompanied on 250-350 singles. Films of the type like "Where Eagles Dare", "Those Magnificent Men in their Flying Machines" and "Monte Carlo or Bust", to which the music of Ron Goodwin makes a great contribution, are not being made anymore. And that is unfortunate in two ways: firstly, because we will not see those kind of films anymore and secondly, because we will not hear that kind of music anymore!- Writer
- Music Department
- Actor
Worked in a tin mine, on a rubber plantation, as a gold prospector, as a bartender and as a professional bridge player before writing. The first Saint book, written when he was 20 years old, was his third book and the only one of his first five novels to feature the Saint. Wrote nearly a hundred Saint adventures in total, wrote the scripts for thirteen years of globally syndicated Saint comic strips, successful Hollywood scriptwriter and script medic. Spent much of his life travelling but settled for long periods in Hollywood, Florida and finally in Surrey, England, UK- Actress
- Writer
Her family was from Liverpool where she was born but she was brought up in Berkshire, She ran away from home at 17 as she wanted to be an artist like her father but didn't have he talent so decided to be an actress and answered an advertisement for an assistant stage manager with a small touring company then went into repertory at Guilford