88
Metascore
12 reviews · Provided by Metacritic.com
- 100Washington PostAnn HornadayWashington PostAnn HornadayThis is an example of a writer and director working in perfect harness, with Reed smoothly ratcheting up the story's suspense and Greene speculating on his cardinal theme of moral ambiguity. They don't make movies like The Fallen Idol anymore, all the more reason to see it now while you can.
- 100Seattle Post-IntelligencerWilliam ArnoldSeattle Post-IntelligencerWilliam ArnoldCinema does not get much better than this.
- 100L.A. WeeklyJohn PattersonL.A. WeeklyJohn PattersonOne of the great movies about childhood innocence accidentally violated by adults...Reed, an often inconsistent filmmaker, handles the brutal mechanics of the plot superbly, with the marbled interiors of the embassy contrasting sharply with his almost neo-realist outdoor shots of postwar London.
- 91Portland OregonianMarc MohanPortland OregonianMarc MohanThe result is a gripping film which, despite the annoying rugrat, demonstrates how part of leaving childhood behind is learning how and when to lie, and to do it well.
- 91Baltimore SunMichael SragowBaltimore SunMichael SragowA masterpiece of psychological suspense.
- 90Village VoiceJ. HobermanVillage VoiceJ. HobermanThe Fallen Idol has been overshadowed by the noir comedy, giddy style, and Cold War thematics of Reed and Greene's subsequent sensation "The Third Man," but (in similarly dealing with the nature of betrayal) The Fallen Idol is actually a superior psychological drama.
- 90SalonAndrew O'HehirSalonAndrew O'HehirThis is a fine example of British commercial filmmaking at its highest level of craftsmanship.
- 88Boston GlobeTy BurrBoston GlobeTy BurrFormally, the movie's a lasting pleasure: Reed's incisive direction; Greene's easy yet weighted dialogue; the farseeing deep-focus photography of Georges Perinal; Vincent Korda's luxuriant sets.
- 80The New York TimesManohla DargisThe New York TimesManohla DargisBeautifully shot by the French cinematographer Georges Périnal (whose credits include Cocteau's "Blood of a Poet"), the film soon evolves from a claustrophobic domestic affair into a mordantly discomfiting look at the betrayal of innocence.
- 80EmpireDavid ParkinsonEmpireDavid ParkinsonIt might be lesser known, but certainly not deservingly so. This is a cracking piece of Brit cinema.